Britney Oops I Did It Again Art
| Oops!... I Did It Again | ||||
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| Studio album past Britney Spears | ||||
| Released | May three, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Characterization | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did Information technology Again | ||||
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Oops!... I Did It Again is the second studio anthology past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby One More Time (1999), it is a popular, dance-pop, and teen pop record, the anthology incorporates a more funkier and R&B sounds. [ane] Contributions to the anthology's production came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number i in over twenty countries while peaking inside the top v in diverse other. In the U.s.a., it debuted at number i on the Billboard 200, with first-calendar week sales of ane.39 million copies, becoming the fastest selling album past a female creative person since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken fifteen years subsequently by Adele'south 25, which sold over three.38 meg copies in its first calendar week of release.[4] It became Spears' 2nd sequent album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United States, making Spears at age 18 the youngest artist to accept multiple diamond albums.[5] With worldwide sales of over 20 million copies,[6] Oops!... I Did It Again is one of the best-selling albums of all-time.
Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the U.s. Billboard Hot 100. Its second single, "Lucky", peaked at number one in Republic of austria, Germany, Sweden and Switzerland, within the tiptop 10 in Australia, Belgium, Canada, Denmark, Ireland, Italia, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number xx-3 on the US Billboard Hot 100. Its third unmarried, "Stronger", reached the pinnacle 10 in Republic of austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the Britain, and peaked at number 11 on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Kingdom of denmark, Federal republic of germany, New Zealand, Sweden, and the United states of america. Its final unmarried, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the tiptop ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She too was the host and musical guest for the get-go fourth dimension on Saturday Night Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did Information technology Again Tour, starting on June 20, 2000 and catastrophe at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the get-go anthology, I had just turned 16. I mean, when I look at the album embrace, I'g like, 'Oh, my lordy.' I know this next album's going to be totally different--particularly the material. I just got finished recording the outset half dozen tracks in Sweden 2 months ago, and the material is so much more than funkier and edgier. And, of course, it's more mature because I've grown as a person besides."
—Spears on the progression of her material for the album.[7]
After vacationing for six days following the completion of the ...Baby One More Time Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took place in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Once more", "Walk on By" (later covered by Gareth Gates), "What U Meet (Is What U Become)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin'southward Cheiron Studios in the first calendar week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the championship runway) in January 2000. Spears recorded "Don't Let Me Be the Concluding to Know" at Robert Lange'due south villa in Switzerland in December 1999; Lange produced the song.[x] "Where Are You lot Now" was an outtake from ...Babe One More Fourth dimension. "Girl in the Mirror" and "Can't Brand You Love Me"'s instrumental rails and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "I Kiss from You" was also recorded at Battery Studios but was later finished at tertiary Floor in New York City. Spears also recorded the concluding track for the album "Honey Diary" which would subsequently be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Urban center. Another song recorded during these sessions was "Heart". Her comprehend of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [14]
Past January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized fabric in New York City.[nine] She was heavily pressured afterwards ...Infant One More than Time 'southward huge commercial success, stating: "It's kind of hard following ten 1000000, I accept to say. Only after listening to the new material and recording information technology, I'm really confident with it."[15] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there'due south some pressure", and added: "Only in my opinion, [Oops!] is a lot improve than the first album. Information technology'due south edgier – information technology has more of an attitude. It's more me, and I think teenagers will chronicle to information technology more." Geoff Mayfield, manager of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base of operations, become 'em while they're hot."[sixteen]
Music and lyrics [edit]
Oops!... I Did Information technology Once again was considered as a sequel to Spears' debut album, ...Infant I More than Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored popular sound. "Information technology's not something I changed purposefully", Spears said of the anthology's audio and added: "Information technology's just something that kind of changed on itself with me being older. My voice has changed a trivial scrap and I'm more confident, and I recall that comes beyond on the cloth."[7] One of its producers, Rodney "Darkchild" Jerkins talked near working with Spears on a Rolling Stones cover, stating: "It's going to daze everybody", calculation: "It has flavors of the original, simply it's a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that vocal are going to honey it. And I made it so new and immature that the young kids that love Britney are going to beloved it. It's going to catch both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Terminal to Know", telling MTV News: "When you lot hear the song, it's and so pure and delicate. It's just one of those songs that pull you in", and added: "I remember they wrote it 'peculiarly for me, because the lyrics of the song, if you really listen … they're more than of what I tin relate to, 'cause they're kind of immature lyrics, I think. I don't think Shania would probably sing some of the words that I'thou maxim."[18]
The title rail and opening song, "Oops!... I Did It Once more", was compared to her debut single, "...Infant I More Fourth dimension" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized beat out. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, yous call up I'chiliad in love/That I'm sent from higher up — I'm non that innocent."[xix] The song besides breaks down for a spoken-word interlude, involving a line from the motion picture Titanic (1997).[19] The second runway "Stronger" is a synthpop[20] and R&B-infused rail,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[21] The line "my loneliness ain't killing me no more" makes reference to the poesy "my loneliness is killing me" from her song "...Infant 1 More Time".[18] Another R&B-infused track, which also adds a bit more funk to the mix,[eighteen] "Don't Become Knocking on My Door" finds Spears confidently forging ahead afterwards a breakup.[21] The fourth track, a cover of the Rolling Stones' "(I Can't Become No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry out, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version too jettisons the song's final verse and adds some new lyrics[xviii] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my thought [to record the song]", Spears said. "I was merely like, 'I like this song,' and I remember it will exist a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[24] The 5th track, "Don't Allow Me Be the Concluding to Know", was co-written by land-popular vocaliser-songwriter Shania Twain and her then-married man, producer Robert "Mutt" Lange, who likewise produced the track.[eighteen] The ballad, which boasts a slinky keyboard riff and Lange'southward characteristically lavish product, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... only I need to hear it straight from you", she sings.[18]
The sixth track "What U See (Is What U Get)" demands respect past rebuking a jealous partner,[21] while the seventh runway, "Lucky", is a centre-rending tale of a Hollywood starlet'southward loneliness, proving that fame can be empty.[21] "If in that location'southward nothing missing in my life/So why exercise these tears come at night?", she asks.[twenty] "School crush" is the theme of "I Kiss from You",[21] a track that has a reggae-style beat and lyrics about the feelings of falling in honey, and the quickness of information technology,[25] with Spears cooing that later merely i osculation she sees her unabridged future with her lover.[26] The ballad "Where Are Yous At present" talks nearly wanting to know where a previous love is, and what that person is up to, and then that she can finally let them go and notice closure.[ citation needed ] Lines on "Can't Make You lot Love Me", a Europop vocal,[22] state that fancy cars and money stake in comparison to truthful love,[21] with Spears singing: "I'yard but a daughter with a crush on you lot."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a cord section with a loping hip hop beat,[18] while Spears makes her own songwriting debut on the modest, keyboard-driven carol "Dearest Diary", which she said is autobiographical. On the rails, she sings of wanting to go "so much more than than friends" with a boy.[eighteen]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming anthology in Europe with live performances of her by songs. She appeared on Smash Hits in the United Kingdom.[27] In Italian republic, she did a short interview on the television evidence TRL Italy in early 2000.[27] and gave a surprise operation in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short Uk outing in Oct 2000.[28]
Oops!... I Did It Again was first released in Japan on May 3, 2000, and was later released in the U.s. on May 16. In the The states, Spears appeared on Saturday Dark Alive on May thirteen, The Rosie O'Donnell Prove on May xv, and Teen People'due south 25 Nether 25 on May 26.[29] On May 10, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC'south Saturday Dark Live. She likewise performed on NBC's The Tonight Prove with Jay Leno on May 23.[xxx] Spears' held her post-TRL listening political party, "Britney's First Listen", on May xvi, and was toast the inflow of her album on next Tuesday's installment of TRL that started at 3:xxx p.thousand. (ET).[31] On May xiv, she was at Times Square studios for two hours of "Britney Alive" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Admission: Backstage with Britney that was broadcast on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Urban center Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones's hit single "(I Tin can't Become No) Satisfaction" (1965) and her own hit "Oops!... I Did Information technology Again", released before that twelvemonth. While she began her segment in a blackness suit, she shocked the audience and the media while, at simply the age of eighteen, ripped information technology off to brandish a revealing, flesh-colored phase outfit with hundreds of strategically placed Swarovski crystals.[33] I calendar month before the release of the anthology, Spears headed to Hawaii on Easter Sunday so she could tape a Play tricks television special titled Britney Spears in Hawaii. The gratis concert was held on the embankment in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Over again anthology that features her twelve new songs.[34] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did Information technology Again, and on May 2, she had a press issue at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was as well among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.1000. (ET/PT).[36] She was also expected to appear on a Grammy-24-hour interval TRL.[36]
The album'due south supporting tour, the Oops!... I Did It Again Bout, visited Due north America, Europe, and Brazil as role of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Allow Me Exist the Last to Know". On June 24, 2000, Spears was featured in a impress and television advertizing campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own vocal for the make called "I've Got the Urge to Herbal" that was featured in 60-2d radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the bout sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the pb unmarried from the anthology and achieved worldwide popularity. It became Spears'south third summit-x striking single on the US Billboard Hot 100, peaking at number nine; however, in comparing to the huge success of her debut single "...Baby One More Fourth dimension", Jive Records considered "Oops!... I Did Information technology Again" a minor disappointment.[38] The song peaked at number one on the The states Mainstream Top 40,[39] holding the record for the most radio additions in 1 day. "Oops!... I Did It Once again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Kingdom of spain, Sweden, Switzerland and the United Kingdom.[xl] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Centre of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[41]
The album's 2nd unmarried, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number v on the UK Singles Chart.[42] In the U.s., "Lucky" just managed to peak at number twenty-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Height forty.[38] The "glittery" music video sees Spears every bit the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[43]
The third single, "Stronger", was released on October 30, 2000 and became the album's second highest-charting single in the United states, peaking at number eleven on the Billboard Hot 100 and number i on the Hot Single Sales.[38] It reached number seven on the UK Singles Chart.[44] Its music video sees Spears catching her beau cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson'due south video for "The Pleasance Principle".[45]
The quaternary and final single, "Don't Allow Me Exist the Last to Know", was released on March 5, 2001 and is i of Spears' favorite tracks of her career. In the United States, the vocal performed well below expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Height 40. However, the vocal attained success in Europe, topping the Romanaian Tiptop 100 and peaking within the pinnacle x in Austria, Poland and Switzerland, while just missing the pinnacle ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered likewise racy at the fourth dimension, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Eyes Say Information technology" was released in the U.k. in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau's Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/10[52] |
| NME | 8/10[twenty] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.internet | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an boilerplate score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the anthology four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'One More than Time'," but remarked that, "Fortunately, she and her production team not only take a stronger overall set of songs this time, simply they also occasionally get carried away with the aforementioned bewildering magpie artful, [...] giv[ing] the album character autonomously from the well-crafted trip the light fantastic toe-pop and ballads that serve as its heart. In the end, information technology's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that can't be conjured with a drinking glass-shattering notation," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner ability—and that's a darn good bulletin to offer an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds us once once again that the all-time new popular can be a smash of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of 5 stars rating, calling the album "fantastic popular cheese, with much improve song-manufactory hooks than 'N Sync or BSB get", also noting that "the swell thing well-nigh Oops!, under the cheese surface, is circuitous, fierce and downright scary, making her a true kid of stone & scroll tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, homo class", commenting that "she'south done it again."[xx] Lennat Mak of MTV Asia named it "a brilliant 2nd album", writing that Spears "is armed with a more mature and seasoned popular star expect, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts non for its message but for the way information technology applies the conventions of the popular-musical medium."[53] Website The A.5. Club was more mixed, calling it "a joyless fleck of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and contrasted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the The states, Oops!... I Did It Again reportedly sold 500,000 copies in its first day of release.[62] Information technology debuted at number one on the Billboard 200 chart, with commencement-calendar week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-calendar week sales by a female person creative person.[66] This record was held for xv years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 meg albums in the United States in its first calendar week.[4] The album fell to number two in its second week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] By its 5th week of availability, Oops!... I Did Information technology Over again had sold over three meg copies and had passed 5 million copies by Baronial.[lxx] On its seventeenth week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-four weeks on the Billboard 200, xxx-one weeks on the Canadian Albums Chart, and ii weeks on the United states of america Catalog Albums.[74] Oops!... I Did It Again debuted at number eighty-2 on the European Elevation 100 Albums, and quickly peaked at number i;[75] it sold over iv meg copies within the continent, beingness certified four-times Platinum past the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number two on the Great britain Albums Chart,[40] selling 88,000 copies in the first calendar week of release; it remained in the top 5 for 4 weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its start week.[77]
Information technology topped the French Albums Nautical chart[78] and the High german Offizielle Top 100, also beingness certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number two on the Australian Albums Chart, and spent 10 weeks in the superlative twenty;[82] information technology became the fourteenth highest-selling of 2000 in the land and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year later on shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Over again opened at number 3 on the New Zealand Albums Chart and was certified Gold later on just i week on the nautical chart.[85] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did Information technology Over again became the third best-selling album of 2000 in the Us, selling 7,893,544 albums co-ordinate to Nielsen SoundScan[87] and fourth best-selling album according to Billboard Year-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [90] Besides, the album landed at number twenty-7 on BMG Music Club all-time best-sellers list with 1.21 one thousand thousand units, backside Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (one.24 one thousand thousand).[91] As of July 2009, the album has sold 9,184,000 copies in the Us, excluded copies sold through clubs, such equally the BMG Music Service.[92] Worldwide, Oops!... I Did Information technology Again sold 2.v million copies in its first week (2d highest first week sales past a female artist worldwide) and sold fifteen million copies by the end of the year. Information technology was the best-selling female person album and third best selling album of 2000. The album has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case confronting Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U Encounter (Is What U Become)" and "Can't Make You lot Dear Me" are "virtually identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all See Is What You Get" in 1999 to one of Spears' representatives for consideration on a time to come anthology, though it was rejected.[93] The case was later dismissed later on it was ruled that they lacked sufficient testify and that there "weren't enough similarities between the ii songs to prove copyright infringement."[94]
Track listing [edit]
| No. | Title | Writer(south) | Producer(due south) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Once more" |
|
| 3:31 |
| 2. | "Stronger" |
|
| 3:23 |
| three. | "Don't Go Knockin' on My Door" |
|
| three:43 |
| iv. | "(I Tin't Become No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | three:fifty |
| 6. | "What U See (Is What U Go)" |
|
| 3:36 |
| vii. | "Lucky" |
|
| 3:26 |
| 8. | "Ane Osculation from Y'all" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You At present" |
|
| 4:39 |
| 10. | "Tin't Make Y'all Love Me" |
|
| three:17 |
| xi. | "When Your Eyes Say It" | Diane Warren |
| four:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(south) | Producer(south) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| iv:06 |
| xiii. | "Beloved Diary" |
|
| ii:46 |
| Total length: | 48:24 | |||
| No. | Title | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| four:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got It All" | Rupert Holmes | Eric Foster White | iv:43 |
| 14. | "Dearest Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Holmes | White | 4:ten |
| 14. | "Centre" |
|
| 3:31 |
| 15. | "Honey Diary" |
|
| two:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Let Me Exist the Last to Know" (Anthology version) | three:50 |
| 2. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| three. | "Don't Let Me Exist the Last to Know" (Hex Hector Club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | five:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | vii:21 |
| half dozen. | "Oops!... I Did It Over again" (Music video) | iv:11 |
| vii. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | three:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | iii:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| one. | "Oops!... I Did Information technology Again" (Music video) | 4:twenty |
| 2. | "Lucky" (Music video) | four:14 |
| 3. | "Stronger" (Music video) | iii:47 |
| 4. | "Oops!... I Did It Once again" (Karaoke) | four:17 |
| 5. | "Lucky" (Karaoke) | iv:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
- ^a signifies a song producer
Personnel [edit]
Credits adjusted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – banana engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – banana engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back cover, cover photograph
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-upwards
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Light-green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brownish – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Factor Orloff – violin
- Marion Pinhiero – violin
- Marti Sugariness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – background vocals
- Charlotte Björkman – groundwork vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run across also [edit]
- List of all-time-selling albums
- List of best-selling albums past women
- List of acknowledged albums in the United States
- Listing of fastest-selling albums
Notes [edit]
- ^ Every bit of December 2010, Oops!...I Did Information technology Over again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Over again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. Oct 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Record Runner Us . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Once again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by twelvemonth. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
fontainepottirldind.blogspot.com
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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